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Samford Theatre reimagines Frankenstein through Creature’s eyes 

by Kate Maze
November 5, 2025
in Arts and Life
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Samford Theatre reimagines Frankenstein through Creature’s eyes 

Cast of Frankenstein on stage for bows. (Kate Maze | The Samford Crimson)

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For once, Frankenstein isn’t about the man who made the monster, but rather, it’s about the monster who learned what it means to be human.  

Samford University’s latest production of “Frankenstein” reanimates Mary Shelley’s classic with striking originality. However, this time, it is told through the eyes of Creature himself.  

Directed by Dr. Don Sandley and Samford senior Kate Varner, the adaptation offers a more human look at the story so often framed as a simple tale of horror.  

The show is double cast, with two actresses portraying Elizabeth in alternating performances. I attended on the night of Ariel Hill’s debut as Elizabeth, seeing only one version, but even so, it was enough to leave me haunted. 

By centering on Creature’s experience, this production takes a gothic tragedy and views it from the lenses of identity, rejection and the desperate need to be understood.  

Ezra Torres portrayed Victor Frankenstein with obsessive brilliance, all while Mark Olin delivered a gripping, heart-wrenching performance as Creature. He portrayed him as less of a monster and more of a reflection of humanity’s failures.  

Their movements and expressions conveyed both the wonder of creation and the agony of abandonment, capturing the fragile beauty of a life unwanted. 

The technical elements served the story with subtle power. Stark, shifting lighting and minimalist set pieces gave the impression of a world in constant motion, restless and incomplete, much like Creature himself.  

The sound design layered in a heartbeat-like rhythm that seemed to pulse through every scene, underscoring the tension between life and loss.  

The ensemble added texture and depth, embodying the many voices that both formed and tore away at Creature’s worldview. 

Though I did not see the performance with Railey Spurlock as Elizabeth, I imagine her interpretation adds new layers to this already complex narrative.  

Samford’s “Frankenstein” reminds audiences that monsters are not born, but rather, made. 

Through this retelling, Creature’s voice finally rises above the fear. And for once, we are listening. 

Kate Maze

Staff Reporter

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